Wednesday 30 June 2010

10 Poems That I Wrote - Loved by Many!

'Nature's Seasons'

The four stages,
Reflecting those ages
Of man ... and his minions,
'neath trapdoors descending
Past mirror balls powdery lighting .. to endings,
The dreamlike mystical psycho paths bending,
Where lavender scented souls attempt mendings,
At last! Sunshine!... summer dazed!
Cool splashings of sand-spattered, beach-castling duels,
Smelling barbecued feasts inside zinc lobstered fools..
The Sun Goddess' zenith, the sparkling of jewels,
Horizons of shimmering scorched parching pools,
...still descending, exits stage left,
The chillings of zephyrs ice over thy breath,
And tall verdant oaks, their petticoats wither,
The crunching browned scents, striped colors to dither,
Those scarves as they play through devolving fares,
And nature's beasts rushing quick scurries to lairs ..
The crystalline witch queen of whipped southern squalls,
Casts shattering sleets and dark shadows to all,
So frozen troupes whirl 'midst frosted regrets,
As winter slays youthful enchantments in nets.
.. But hark, the buddings of life returning to prance,
And carnivals passing through oaken scents chance,
The sonnets of springtime completing the wheel,
Four stages of man .. God's seasons shalt kneel.

Boredom'

'Midst tyranny of hours,
She whiles away a storm,
Beneath two falling towers
Strange faces capture form.

Perceptions bleed to mystery,
The shattered ticking clocks,
A tome of withered history
Discovered 'neath those rocks.

And Gods from perches spying,
Yawning at the farce,
The battlefields lay dying
As jaded angels pass.

The lethargy of ages,
Shall tumble into dreams,
An omnibus of stages
And sentiments in reams.

When Earth's time sands the glasses,
And sadness passes by,
Count not the dream that passes,
That lengthy, tortured sigh.

'Midst tyranny of hours,
She whiles away a storm,
Beneath two falling towers,
Boredom's questing shows no scorn.

'New York City'

That swaggering, jazz-like lexicon,
Where Broadway dreams ignite,
The bustle and sass of Midtown,
And Central Park jaunts by night.

Swanky suits romance on 5th Avenue,
The Plaza and Waldorf come grandly to view,
And Radio City and Carnegie Hall,
Spill big band arrangements to 'hattan crowds' thrall.

That Liberty Gal
With torch raised on high,
While Brooklyn and Queens,
The Bronx sail by.

The Yankees swing grandly,
The cheering crowds loud,
The rumbling of subways,
American proud.

Empire State Building,
Rockefeller blue,
Mustard on hot-dogs,
A New York review.

Bloomingdales and Macys,
Tiffanys by night,
Madison Square Gardens,
And Times Square delight.

It's the city of power,
The World's capital show,
New York through the ages,
All swagger and glow!

'Los Angeles Dream'

Burbank, Pasadena, Hollywood glam,
Rodeo Drive, Sunset live, Boulevard jam.

L-A-X, Long Beach sex, Melrose Place chic,
Boutique flair, in Bel Air, Western Coast speak.

Bev'ly Hills, Disney thrills, Brentwood charm,
Venice Beach, hip-hop beats, muscle boy's arm.

Chinatown, Downtown, Hollywood sign,
Summer dayze, Monterey, L.A. city time.

Burbank, Pasadena, Hollywood glam,
Rodeo Drive, Sunset live, Californian cram!

'Sleep'

Oh child of slumber,
To while away the night,
And pastel shaded quicksands
engorging souls so light.

Oh child of slumber,
Where doest thou roam so free?
A kaleidoscopic dreamscape
bleeds slowly to the sea.

Oh child of slumber,
When hooded owls shalt call,
Unconscious woodland cradles,
and lovers mother all.

Blessed child of slumber,
To hear those gentle sighs,
Your soft breaths fill a cosmos
with covert truths so wise.

Beloved child of slumber,
Betwixt angelic rows,
Float silkspun quilted cloudshapes
and cupid's feted bows.

Until a journey's closure,
A dragon's curse shalt be,
And winding blooms descending
whence daylight sets us free.

Oh child of slumber,
To while away the night,
And pastel shaded quicksands
engorging souls so light.

.... go to sleep.

'+ The Malediction Of Camelot +'

Hark, a jester's pledge shalt not dethrone a Queen's ascent,
And serfdom's plight aflame with wrath, to God's lament.

Thou ardor mauls the tempered soul that deigns to seek,
A ransom's quest as martyred hope instructs thy weak.

On hallowed grounds when knights renounce the Grail's stain,
As maidens tempt, a bounty's wage adjourns to wane.

'pon moonlit shores when fabled charms shalt cease to be,
The coven's share of plundered wealth for man to see.

As squalling dusk shall claim a price that none shalt bear,
A monarch's grave invoking scorn to tempests fare.

And celestial hosts returning 'midst the sacred hearth,
To guide the burdened earthly realms to Heaven's path

'History's Tome'

When history's tome shall cascade to a graven end,
And spirit's glass replete with mirth, no blight to tend.

The hours shall stall, the ornery pledge must cease to dwell,
Unquiet states, the banshee's waul will all but quell.

As nomads singe enchanted lands and kingdoms fall,
Muhammad's whim ensconced in tombs shall smite them all.

The questing souls returning to the holy lamb,
And scales shall weigh the penance worth as lovers damn.

As fortune's grace shall guide young fools in ways of yore,
And magic's realms reveal their lusts to bloodstained war.

When silken oaths betray a prince as legends grow,
Iniquities doth multiply and harvests sow.

Amid the bedlam, beauty's chance may yet return,
The evils of a fallen world bewitch to spurn.

Yet pure souls transcend the gloom of cheerless plains,
And Christ's lament shall pay his fold when love remains.

'The Lunar Goddess'

The doors to perception,
Second left, past Reception ...
Wild and crazed, from Elyssian haze
her Siren's call ... the bane of All.
But must We tread and winds the path,
Her warmth yet cruel, nurtures each hearth,
Learn well Her song
Fear not the curse,
The Feminine Wisdom
has healed His Earth.
Diana, Artemis, Lady of the Moonlight,
From slumber awake, the ending night...

The doors to perception,
Second left, past Reception.

'Poverty'

Penury be damned!
That wretched void of want,
of lack, the stringent pause
of night-time's follies
and universal laws.
Gilt-edged rains trade showering stacks
of chips at games, of such, ye lacks! and
cultured, white starched parties on cultivated lawns
lay luxuries for monied youths, chide idle beggar's yawns.
Grim, grief-stained avenues masking hessianed lairs,
Far placed from pleasant folk casting hardened, soulless stares.
Oh such curses on the workless paths, such punishments such pains,
That ye shall arch with industries, to succour 'midst your gains, so
Penury be damned!
That wretched void of want,
of lack, the stringent pause
to night-time's follies
and universal laws.

'Depression'

Deflation ...
that steady spiralling, downwards .... darkness .... falling ...
'Did You follow that snow-white rabbit into the depths Alice?' silence
'Did You not notice His artless wit and His temptation?'
Your curiosity was piqued!
If You climb from Your wrenched heartscape ...
Descend the marbled pagodas of hardened illusions,
Continue past those morbid Fates and find the Light source,
Then You shall find that quested for Salvation.
The dark Odyssey will end,
The bleak fables shall cease.
The neverending night will break ....
And You .... will soar .... to Elyssian worlds.

Downward
Evolution,
Pasts
Raping
Elegiac
Souls
Stifling
Individual
Odysseys
No more!

DEPRESSION.

Monday 28 June 2010

Charlotte's Sonnet

so my friend Charlotte had to write a sonnet for her english class and we thought it would be funny if I made a song out of it. :)

Sunday 27 June 2010

Wedding Anniversary Poems - A Perfect Gift

Are you and your spouse celebrating your 50 years together in a Golden Anniversary? 25 years in a Silver Anniversary? One year in a Paper Anniversary? Congratulations. In contemporary American society, only 45% of marriages last. Take this occasion to renew your commitment to each other with wedding anniversary poems that encourage you to stay on the journey together.

Married couples that practice a spiritual dimension and who attend church together tend to have a longer and happier marriage. When they take their wedding vows, they promise to be faithful to each other and to include God throughout their entire lives. So, using inspirational wedding anniversary sayings can help renew those vows in a fresh and more meaningful way.

Why fresh and more meaningful? A long-term, successful married relationship includes many hours, days, weeks and years of routine, habitual ways of communicating with each other. After thirty years of marriage research, Dr. John Gottmann discovered that long-term marriages are strengthened when spouses deliberately express fondness and admiration to each other. Writing and reading wedding anniversary poetry allow a husband and wife to share their personal feelings in a unique, fresh and more meaningful way.

One of the best wedding anniversary gifts that couples can give each other are personal wedding anniversary poems that share heart-felt emotion. These poems may be as simple as: "Roses are red, violets are blue, I am so happy that I married you" to sonnets, books, and letters. Poems do not have to rhyme. Consider these three tips for writing a poem to your spouse on your anniversary day.

First, identify the best and happiest moments of your marriage. Close your eyes and relive the memory. Then, write down the highlights, the details and the positive feelings of those moments. Think of what your spouse was like at the time of your memory. How did she look? What did he do? Was there a sparkle in his eye? Were her smile and wink exciting? Write down every detail. Choose one memory from the list and rewrite it on a new sheet of paper (or use your word processor.)

Second, take that second sheet of paper with the one memory. Ask yourself what that moment meant to you. Write down your thoughts and feelings. Fast forward to today. What do those thoughts and feelings mean to you now? Get your pen out and record what you think now. Compare the two lists and circle the most moving phrases and words.

Third, write out and arrange the most moving phrases and words into several lines that make up your wedding anniversary poetry. Be natural and be yourself. If you can work in rhyming, go ahead. Keep working on the words until they tell your spouse a short love story about the memory that meant so much to you. In a sense, you are giving away a piece of your heart which is worth more than any wedding anniversary gift you can buy. Take that poem and print or write it on a sheet of fine stationery or in an anniversary card.

Wedding anniversary poems are a perfect gift you can share with your spouse. The cost is your time and willingness to share your heart. The effect on your spouse is priceless. All you need now are examples and inspiration to write.

Thursday 24 June 2010

Carpe Diem ((Seize the Day)(A "Romance in Augsburg" - Special Edition))

Special Index

Train to the Octoberfest (Written 2005)
Evening at the October Fest (Written 2009)
The Thrasher (Written 2009)

The general definition of carpe:

is "pick, pluck, pluck off, gather" as in plucking, although Horace uses the word in the sense of "enjoy, make use of, seize." Also this phrase is expressed in: 1 Corinthians 15:32, Isaiah 22:13; and in the Epic of Gilgamesh, Siduri

In this updated version of "A Romance in Augsburg" (originally published in 2003) the author has added three additional chapters into it, and reedited and revised the original Manuscript (the Chapters or section coming under the heading of: "Carpe diem" which are: Train to Munich (written: 2005 the other two written in 2009); Evening at the October Fest, and its linking chapter, The Hillside; and The Thrasher or, the Glass Bar).

Carpe diem

When age shall surround thy face and brow
When deep trenches fill thy eyes and mouth
When beauty's effect has been long gone
When you stumble, and your worth is nil
To all the fading, raining, and sweet clouds
Your, once beauty's effect, will have gone!

Seize the day, and make use the moment,
Aagainst the gusty storms, of time and vanity:
Gaze upon the colors of her youthful cloths,
Her fresh shape and colors of beauty...
For beauty's effect will long be gone!

No: 2605 4-28-2009 © (Dlsiluk)

Train to the Octoberfest
(Augsburg, Germany, 1970)

As we got off the train (Ski and I) we were obvious to any onlookers, that we were soldiers, as apparent as someone carrying a sack of potatoes, I would expect, walking through that train station, out its doors, then outside onto the sidewalk, at 5:00 a.m. I witnessed right away young folks walking about, talking in different languages, English, German, Spanish, and so forth and so on. I also saw a number of hippie like characters trying to get a few hours of sleep in the corners of the train station, outside the train station backs against the building, sacks in their hands, in their laps, along side of them, wrapped around their hands, laying beside them, or laying on top of them, the renowned Oktoberfest was in motion, it was the main event in Munich, and we, Ski and I, were going to it, and this was the place to be, if you were in Germany in October of 1970, or at least the place I wanted to be. No reservations needed, just your body, a few bucks in your pocket, time to spare, energy.

Several young Germans were walking on the opposite side of the sidewalk, several blocks from the train station, where Ski and I crossed over to the other side: "You speak English?" asked Ski, to the group. They looked at us strangely; we simply wanted to find our way to the fairgrounds, needed directions. Ski was always, or almost always, abrupt with his way of trying to make a dialogue-with anyone (but me).

"American GI's" a voice from the group said, with a tone of belittlement.

Ski lifted his eyebrows, I figured this would be a fight, or it was at least in the makings.

"No, we're reporters from New York City..."said Ski. In consequence we got a lot more respect instantly, I was a more than bit surprised.

"We're from a ..." (a magazine he said, can't remember which one he said, but they were impressed, and so was I that we could get away with such a fib)-and to be frank, I felt something like a volt of electricity in the air-connecting and shooting into my legs running up to my arms, after this mirage was created; I was liking my part of the charade, although I didn't do much.

-We then walked about Munich for a number of hours, I saw an old bum laying drunk on the sidewalk, everyone just stepped over him or around him, and I stopped and starred at him, I wanted to help him I think, bent over to see if I could, but Ski said rapidly, "Come on... (pulling me back up) we're almost there, he can't be helped, and he'll sleep it off!"

And for the most part, I think for once he was right, and we could see the entrance to the Oktoberfest from where the guy laid-near the gutter of the street, and we were both getting excited at that moment to get inside that event.

Once through the entrance, we found a big beer tent, like a great hall, and we couldn't pass it up, or I couldn't, and we stopped, with inside of it and had purchased a few giant mugs each filled with beer, filled to its rim.

The Oktoberfest was huge, with big beer tents all about. It was perhaps 11:00 a.m. We walked about for a while, I didn't want to get too drunk too quick, so I slowly drank my beers, and found a place to rest under a shady tree, on an embankment (which I'd return to later on, and where a lot of hippies were, and would be all day into the evening hours; Ski and I would return there to rest again, and watch all the hippies sack out for the night, having their own personal picnics).

Then we went onto another large beer tent I was getting drunk now, and ended up dancing on the tables with folks I never knew, holding hands, looped within theirs. I was talking to a woman later on at the entrance of a beer tent, I had said a few words in German, and she rattled on for an hour, and she thought I could understand her, but I really could only understand every fifth word or so, which I suppose was good enough.

(Then Ski came in from outside, he had been checking out the area, by himself, said he had met this Danish girl, a beauty, she had to talk to a few of her friends and would meet him at this tent later on, he was going to introduce her to me, and we'd walk her to the entrance to meet her friends, and then part our ways, he was hoping to gat her address in Denmark.)

While we waited, we both went into the tent bathroom, and some guy was taking pictures of folks urinating, with a Polaroid, Camera, instant pictures, I said to myself, this was bad news, and Ski blew up, grabbed his camera and broke it in front of him, broke it into several pieces, and the guy almost cried, and when he started yelling, Ski leaped on him and beat him, I had to pull him off the guy before he'd kill him.

"Let's get out of this bathroom quick Ski, German police may somehow take his side...!" I had experienced that in San Francisco, in a bar when a man put his hands around me, and appeared to be ready to kiss me or who knows what, and I told him not to, and he was gay, and he did it a second time, and I put my elbow into his ribs, and I heard one of them crack, as his head fell onto the bar counter. And the bartender told me to get out of his bar, and called the police on me, of all things. Evidently I was in the wrong kind of bar, at the wrong time.

So I told Ski, what I said I told him, and out we went nearby the entrance of the tent to wait. After a few minutes, we went back up on that hill, we could see the entrance from there to the tent, and we had purchased a sandwich and we ate it, sitting down for once. Then we went back to the tent to wait.

Evening at the October Fest

As I waited with Ski by the entrance of the beer tent, I wanted to jump back up on the tables-, and dance some more, and drink with all the strangers, and all the wives and girlfriends of the male strangers, wives with their husbands could have cared less. Matter of fact, they preferred you, in this case me, to dance with their mate, so they could dance with someone else's. I looked about there were not many GI's here in the tent, but many folks from all over Europe. And we just waited, me, with a beer in hand for the Danish beauty.

I called the waitress over again; she was dressed with a cute old fashion, German dress, loud horns were playing in the background, brass horns.

"A dark beer, please," I asked the waitress, doing it far enough in advance, knowing it took ten minutes before she'd get back with it, and I had only half a beer left, and that would be gone by the time she got back.

"Yes, of course, in a minute, don't move...!" she said.

"Good," I said as she walked away, and Ski checking out around the corner of the tent to see if his little Danish beauty was coming. I had seen her I felt, walking about with her friends early on, and I think Ski had also, and that is why he left me in the tent alone, to find her.

"I'm going to meet her in Denmark, in two weeks," said Ski.

"Really!" I said, surprised he was so confident.

"I hear they are kind of free spirited up there, maybe she likes pot or drugs, then what?"

"I think she does, I think she's using now with her friends, but when I visit her, I'll change her mind."

"What makes you think you'll make her?" I asked.

"That's a good way of putting it, but I will."

(The waitress came back with my dark beer, "Here sir, seven marks!" I paid her and she left, and I heard Ski say:)

"Here she comes," said Ski, "I think that's her," he added, "quite now, don't say anything to disrupt it...let me do the introductions."

"Thank you, pal!"

"Yes...yes, isn't she a beauty?"

She was lovely, bronze skin, dark eyes, long black hair, it made me think of what I once read in a sonnet by Shakespeare 'When forty winters besiege thy brow...' something like that. It meant to me, women lose their beauty, and for a short moment in youth, it is best to gaze upon it while you can, and I found myself doing just that, and I think she took notice of that.

"Hello," she said, "so this is you friend, Chick, he calls you?"

"Yes, that me," I said, kind of lost for words; it looked like she was doing her own introduction.

"My name, Barbatte," she said with a very darling smile. She looked at her watch, "Listen," she said looking at Ski, "You and your friend come visit me in Denmark, I give you may address, okay?"

"Really," I said, Ski looking at me. "I have a girlfriend, but it sounds inviting, but I can't get any time off from the Military, used my vacation days up before I came to Germany." She looked a little disappointed.

Her dark bronze skin and her gentleness were very alluring, but I could smell pot on her, it reeked from her cloths. I figured Ski was going to have a rude awakening when he went to Copenhagen; he took pot as being no different than heroin. It really didn't matter to me if she used, Mac and his friends used it in the barracks all the time, I avoid it, I had my beer, that was enough, although Mac invited me several times to join their pot parties; perhaps wondering if I was ever going to tell Ski, knowing Ski took it hard, his sister had been strung out on it, I had learned recently, and some tragic thing took place with her because of it. And Mac didn't want any trouble with Ski. But I didn't say a word to anyone about Mac use.

As we walked Barbatte, to the entrance of the gate to the fest, to meet her girlfriends, she made out a card for Ski, giving him her address and phone number, and wanted to make me one out for me also almost insisteing, but I discarded the offer of taking it, saying, "My girlfriend Chris was very jealous," and I'd simply never get to Denmark, but I wanted to and she perhaps could see it but, I just felt as Shakespeare wrote in his sonnet: "Thy youth's proud livery so gazed on now..." and I did.

"I'm getting tired of this whole event," said Ski, to me, as now Barbatte was far-off on her way to the train station.

And so we left.

The Thrasher-and the Glass Bar

(An Chapter story to: "A Romance in Augsburg," previously unpublished)

I walked slowly out of the October Fest, Ski along side me. Our train would note leave until 2:00 a.m., we looked up and street, at some lights, walked around the curve. There were people on both sides of the street.

I felt my pants; my knees were green from kneeling on the grass of the embankment, inside the fest area. My hands were dirty somewhat, his finger nails dirt under them.

"I need to wash up someplace," I told Ski.

"Come with me, I have an address, got something to show you," said Ski.

"What?" I said, didn't care for any mysteries.

Ski went over to the edge of the sidewalk, flagged down a taxi, "Take us to the Glass Bar." He said, and the driver seemed to know it. When we arrived at the nightclub, it was amazing I thought, three floors of glass, all glass, you could see people walking up and own the stairway. What a trip I said to myself. You could see everything that was going on.

"I guess this is something to show me," I said to Ski. He had never been there himself, yet he had heard about it.

"Come on, let's go in and you can wash up."

There was a bouncer at the front of the door, and a few inside, all dressed like penguins, with big broad shoulders, in their late 30s, hanging stomachs. I found the washroom, washed up carefully in the cold water, the hot wasn't working. Getting the dirt out from under my nails, and I squatted down and wiped my knees clean with a paper tower.

When I came out, I saw Ski rubbing his eyes, he was tired. He had two beers in his hands, "Here Evens," he said, "Take one." And I did.

I looked around, we went to the second floor, there were weird looking drawings on the mirrored pillars as we went up, step by step, these three flights, they looked like Dali's or Picasso's, drawings, I'm sure replicas. There was a horde of drinkers continuously coming down the stairs, as well as going up them, bumping into Ski and me almost one right after the other, and Ski was taking a disliking to it. I sensed he wished he had not come, but it was near Midnight, and we had at least an hour to burn. It was dark outside, loud music from floor to floor, and it was something to do.

My hands were still a little wet, I put my beer down on the floor, we were in the middle between the second and third floors, wiped my hands on my trousers, and then picked up my beer, someone bumped into me, it fell out of my hands, and crashed on the floor-beer and glass all over, the man kept walking up the stairs, with no apology, didn't look back once, Ski grabbed him, and said "Look at what you just did-jerk!" The man had a tie on, he turned about, a young man-a ahead of him was his two friends-the man stood there looking, firelight in his eyes, Ski could see it and so could I, I was now wiping my pants off again, with a towel I had taken out of the bathroom just in case, had put it in my pocket for safe keeping, it came in handy. The man didn't look alone. Ski stepped out from the railing, "Well," he said; the man looked up at him, at Ski, and Ski said to the man, "Where did you get that shiner?" and he said "What shiner?" And Ski hit him a solid blow along side the temple, and he dropped to his knees, and the other two turned about.

"Why you bastard!" he said, and they both went for Ski, I grabbed the foot of the second man, I was on a lower step than Ski, and he slipped down three stairs beyond me, on top of the wise guy Ski had previously hit.

The guy that was going to hit Ski, had second thoughts, and the bouncer was rushing up the first flight of stairs now, Ski said to the man backing off, "Thought you were a tough one, didn't you!" and went to grab him.

The man rushing up the stairs yelled, "No more fighting, no more rough stuff, this is a glass bar, a glass bar!"

The man I tripped, his nose was sunken, his eyes red, he only saw the man's face as he rushed up the stairs then fell back as if he passed out, he was a German, perhaps faking it to get sympathy.

"Look here!" the bouncer said, a big man, and heavy. "This is a glass bar, ever see one before," Ski didn't answer, but I did for him, "No we never did."

"I don't know who started the fight, but you two got to go."

I think Ski wanted to argue, but I saw two more penguins coming to assist this one, and I could take no more, "Let's beat it Ski, our train to Augsburg will be coming in, in an hour and a half."

"Smart friend you have," said the man who rushed up the two flights of stairs.

"You bet!" said Ski, "it's time to go."

As we walked out of the bar, everyone seemed to bust their eyes on us, Ski gave them the finger.

"Don't bother with them Ski," I told him.

"Sure," he said, and he looked a little down.

"What's the matter," I asked him, outside the bar.

"Their crazy here, can you believe it, they kick us out and the German gets to stay and drink? Honest to God I can't figure it out."

I hesitated, "Come on, let's walk this off..." we walked three miles to the train station, checked our watch, it was 1:45 a.m.

Wednesday 23 June 2010

"Grammar Check in Seconds" Tool - Proofread Your Writing Now!

Can "Grammar Check In Seconds" Tool solve our grammar writing problems once and for all? Many of us spend hours, everyday, on fulfilling our writing assignments including emails, articles, documents and other. It is necessary to keep it correct and professional. In the following article you will learn about new ideas on how you can quickly proofread your daily writing assignments.

Short overview

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What are the main benefits?

Let's quickly see what is in it for us:

* Automatically identify sentences construction problems that may have been missed during a manual proofreading.

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* Improving and enriching our speech, enabling us to speak correct and better English.

If we examine it closer we would probably find additional benefits that aren't mentioned here, as this webmarketing assistance tool constantly changes, bringing us fresh solutions that help us on improving our Writing performance.

Final words

One of the great opportunities provided by this sophisticated "Grammar Check In Seconds" Tool is improving our writing style, making it correct, fluent, and impressive. If we want to keep our English writing clean, clear, and professional, no doubt that this technology can help us get there. Although it brings many challenges to software developers, we can expect this exciting program to further develop itself, for a single reason: writing is one of the most important tools that help us fulfill our daily assignments.

Tuesday 22 June 2010

Wedding Poems

Many couples like the idea of incorporating poems into their marriage ceremony, but may be unsure how to go about it. For some, the idea of writing their own love poem is a great romantic notion, but comes with just a bit of writer's block. For others, finding the ideal poem (already written) is greatly desired but feels like an overwhelming task. For these couples, the good news is that others have already done much of the hard work.

Multitudes of collections have been compiled for the sole purpose of weddings. The trouble is of course, finding time to go to the local library and read them all. This is where a bit of solid research comes in handy; some websites provide brief descriptions or group poems by category. Many also provide the complete poems with copyright information. Because a wedding is not a public service and couples are not charging guests for attending, a simple acknowledgement of the author and creation date in the program will suffice. There are also a number of books on the subject. These can be useful in that many combine poetry options along with vows or other related ceremonial options that can compliment the reading.

For those who are interested in composing their own poem, but do not feel up to the task, there is help here as well! For poets-in-the-making, choices range from enrolling in a poetry course (such as online or through a community education program), to using one of the many tools to create customized wedding vows and poems, to simply winging it. If there is time and inclination, a short course on poetry writing can be very informative, provide feedback from participants and the instructor, and help reduce nerves. However, this may be a bit much for some, which is why websites, books, wedding kits are available that walk the couple through the process of writing their own poems or vows. These can be useful in that the couple can work together in developing a theme or direction for the poems, which makes the writing process much easier.

Winging it is also an option, while considering a few thoughts. Not everyone can write elaborate poetry incorporating perfect rhyme and rhythm--which is why free verse was invented. Using free verse or other, shorter forms of poetry may be the perfect options for those who want to express their feelings in original words but cannot face the thought of composing a sonnet. Consider reading a book or two on poetry writing to get a feel for the variety of poetry styles.

Lastly, whether you prefer an existing poem or taking pen to paper, keeping the purpose of the poem in mind may help selection and writing. The poem is incorporated to add a unique expression of love to the wedding ceremony and represent the couple. No poem is perfect for every wedding, but there is one out there that is perfect for you.

Copyright © 2005 awalker@weddingshome.com All rights reserved.

Monday 21 June 2010

Sonnet no 86: By William Shakespeare

Sonnet no 86: By William Shakespeare Read by: Bertram Selwyn "Was it the proud full sail of his great verse, Bound for the prize of all too precious you, That did my ripe thoughts in my brain inhearse, Making their tomb the womb wherein they grew? Was it his spirit, by spirits taught to write Above a mortal pitch, that struck me dead? No, neither he, nor his compeers by night Giving him aid, my verse astonished. He, nor that affable familiar ghost Which nightly gulls him with intelligence, As victors of my silence cannot boast; I was not sick of any fear from thence: But when your countenance filled up his line, Then lacked I matter; that enfeebled mine." (For Full Chronological order of William Shakespeare's sonnets, check the PLAYLIST entitled "The Sonnets of William Shakespeare")

Saturday 19 June 2010

Enter Love

Enter Love.

Seashells everywhere,
comfort is blessed upon the blazing
charcoal sand, then, the monarchs flap
and graze deeply beneath Persephone's hair.

Yes, it is true,
that the welcome can wear itself out
before houses are built,
so that the knowing ground will
break easily free of the shovel's conscience,
while the planner doesn't know
that these square nests are being built
on a floodplain.

A shattered rocking chair
and a perfectly designed pulse rate,
laughter, appreciation, congratulation
and even curious respect,
a sort of looking up to
though not for guidance
or to be that one to receive praise
for the glance, no,
it is to see what lies above the
reverberations of what is said,
what is done,
what is judged and forgotten,
what is forgotten and quickly forgiven
due to a smile from nowhere.

The rain at the tip of the hollow droplet,
begging to get in for a ride;
sometimes hollowness cannot hear the
liquid knocking,
while somewhere else
a jewel,
found by the thick lawn
and lost by the thin hand
is reasoning with the weather
to keep it sparkling a little while longer.

Youth bundled up inside Cupid's
satchel of arrows
and the green landscape reflecting a hue
upon its white feathery speed;
not even Mercury can trip this winged one,
nor Jupiter hide its tiny ease in splitting
galaxies apart for the inner-god sake.

Touch and the time to release,
the barricades felt, yes,
touching impenetrability and surrender,
singing the pillows awake,
kissing the clouds into solid mountains
blooming with wild horses,
wheat meadows and elk.

Doves and the house built for them,
it has been brushed bright blue.
The sonnet that erases itself
as it's spoken for the hundredth time
from lips that only believe
as far as risk will take reality
to risk again.

Rivers,
dissolving solving loving,
then, yes, the music within,
how to trust the curl of the spirits inside,
how to trust the right warmth because it
is the moon who leans and who lends
waves to rise and tidal to drain when
yearning is swallowed,
when it is wrapped around the solitary figure
like wax around a thirsty wick,
how to trust since it is the voice of God
after all, diminishing nothing and accenting
what cannot be placed outside the heart.

Eyes tuned to see what red says
to the raw ruby,
tuned to see what green says
to the grass that's black at night,
tuned to see what the rainbows say
to the mausoleums
and how Love slides between
thunder and lightning strikes,
how it moves the lover's hand down
its semi-smooth face
in awe that age is indeed
touching the clock with
semi-quivering,
stuttering prayer hands.

Then, not only-then,
Love breaks free of expense,
moves the arms to wound around the spark
that's a galaxy parking itself
every which way except parallel,
moves the head to be stillest in the storm of
Kali's hungry skull-necklace,
where dishes shop for their food
while forks, spoons and knives
dance Rumi back to life.

The sunrise in one eye
and the sunset in another,
he and she,
they and those,
we and the were-not,

The heart drums its duty,
the eyes can or can not,
the hands are there of there not,
the lips taste or untaste,
the soul leaps and the soul hugs,

Love weeps blossoms,
Love laughs seeds,
Love burns suns
and Love waters water...

April 18, 2010

Thursday 17 June 2010

Gabriele d'Annunzio e Francesco Paolo Tosti - 'A vucchella

Durante il suo soggiorno napoletano,d'Annunzio frequentava anche gli ambienti dei canzonettisti; pare che nel 1892 Ferdinando Russo lo sfidasse a scrivere una canzone in napoletano e il Poeta, in cinque minuti, nella notte al "Mattino", compose questo sonetto minore in settenari piani, che dieci anni dopo l'altro abruzzese Tosti musico'. La canzone ebbe un successo straordinario, che dura fino ai nostri giorni. Il filmato ricostruisce gli ambienti abruzzesi che certamente ispirarono d'Annunzio nella composizione, con quadri di Michetti, un paesaggio di Michele Cascella, una foto d'epoca e un Klimt , che non è lontano dal liberty pescarese. Canta Roberto Murolo. During his stay in Naples, d'Annunzio also attended the environments of the songs' authors; it seems that in 1892 Ferdinando Russo challenge him to write a song in Neapolitan and the Poet, in five minutes, that night at the "Mattino", composed this sonnet; ten years after Tosti xrote the music. The song was an extraordinary success, which lasts to this day. The film reconstructs those Abruzzi's atmospheres that certainly inspired d'Annunzio in composition, with paintings by Michetti, a landscape by Michele Cascella, a vintage photo and a Klimt, which is not far from Pescara's liberty. The singer is Roberto Murolo. Au cours de son séjour à Naples, d'Annunzio a également participé à l'environnement des auteurs de chansons. Il semble que, en 1892 Ferdinando Russo le défie d'écrire une chanson napolitaine et le poète ...

Wednesday 16 June 2010

Endless Helix - Such an Inspirational Composition of Haiku Verses and Short Poems

The first half of the book is excellent! In the first half of Endless Helix, by Ban'ya Natsuishi of the World Haiku Association, he uses a series of haiku poems to unleash a menagerie of stimulants for the senses. He invokes sight and touch; also seeing, hearing, and tasting, with words such as "spreading of the fountain" to "noise of saw," then "rich colors of nothing," along with "sunflower fields," followed by "roar of laughter," and "peach tree in full bloom." The haiku selection paints life in various stages which positively impact the senses.

Understanding imagery is uplifting. The imagery he invokes in the mind of the reader is priceless. It also shows the quality of his poetic craft. For example, the contrasting of "rainbow and darkness," to "snow roots amidst jet-black mud," and "fog is the sigh of the sun," stretches the imagination and allows the mind to reach for new domain as if one is traveling the galaxy and exploring the Milky Way.

The second half of the book reaches out to the reader in many ways. In the second half of Endless Helix, Ban'ya uses dreams in a concrete manner to stimulate the mind. The figurative language of the wind as a metaphor could not shake his foundation as it blows through openings. This signifies strength to withstand the elements and the test of time. The flowing of water invokes cleansing and rebirth after an arduous journey, just like a newborn baby experiencing its first refreshing drips for cleansing. One is also able to understand the art of massage and meditation as captivating metaphors signifying peace.

During the finally section of the book, as he walks against the wind on a New York street, he reminds us of the golden fruit, angels, and God in his own style, while feeling the rays from the rising of the naked sun above the East River. What an awesome conclusion for this timeless haiku series! In a sense, it concludes like the Endless Helix, as it travels through time and space touching on generational lifelines. This is a great book for all readers and cultures. Ban'ya Natsuishi is located at: http://www.worldhaiku.net

Tuesday 15 June 2010

[Jun 9] Finals in two days :O

sorry, but I didn't really have time to write a sonnet, and to be honest, I kinda forgot about it, but I'll have it in next weeks video :)

Sunday 13 June 2010

Memoir Writing - Three Ways Your Journal Will Help

When keeping a regular (even daily) journal, some people feel a release of energy they don't have in other writing forms. Because of that, journal keeping can be an important developmental experience for you both as a person and as a writer. Because the journal is private by definition, you can write in it without fear of how an audience might react. No one will ever see it. Not ever-unless you want them to! There are several ways in which keeping a journal can benefit your writing.

1) Your journal will help you to be fluent in your writing. As in anything, the more you do it, the better you are likely to become at it. Swim every day and, after a month, you'll find yourself having become much better--and, after six months, a whole lot better. Writing in your journal regularly, you will get practice time that will serve you well. Your writing will grow to be a more familiar and comfortable experience and you will be more fluent and accomplished with it.

2) Writing in your journal before starting your life writing sessions can be an effective warm-up. Athletes don't start their sport immediately without warming up. Why shouldn't a writer warm up, too? Limber up your writing muscles with a page or two of journal writing.

3) Journal writing will provide you with memories and perceptions that will inform your life stories. If you assure yourself of the journal's absolute inviolability, the inner censor who insists "You can't write that!" will grow less demanding. You will feel freer to write your own feelings and thoughts. Later many of your entries or parts of them can be transcribed into your lifestories as you give yourself permission to tell a different version of your life. In the privacy of the journal, you will grow comfortable with your new "heretical" versions.

Remember: there are few rules in journal-writing (honesty, however, is one of them). You can include journal entries in your life stories (where there are some rules).

Good luck writing your memoir!

Saturday 12 June 2010

'Say over again ...' by Elizabeth Barrett Browning

Only a woman could write a sonnet like this! The narrator wants love, love and more love - but in silence as well as within sound. If it was written today, it might be called 'Love: The Whole Nine Yards'. The words always make me smile!

Friday 11 June 2010

Romance - 7 Ways to Stimulate Your Romantic Feelings

Have your romantic inclinations started to wan? Are you looking for ways to rekindle romantic notions and ideas? There are various ways in which you can renew passion with your loved one.

Cards

Everyone loves to receive a greeting card. There are so many choices available. Take the time to choose one that best expresses your feelings. If you are creative, you can make your own cards.

Letters

Writing a love letter shows your commitment to your loved one. It can be an email or typed and printed on the computer. But in my humble opinion, the best letter is still one written in pen and ink on stationery. You can start by writing your sentiments with a pencil on plain paper and when you feel you have the final draft, copy it with a pen onto the sheet of stationery.

The key to a good love letter is to say what is in your heart. It does not have to be pages and pages. You can convey your thoughts in a few simple sentences and/or a couple of paragraphs.

Letters have a more lasting effect. Many people keep them throughout their lifetime.

Magazines

There was a time when men would not admit to reading women's magazines. Cosmopolitan Magazine and Helen Gurley Brown, after a few years, generated enough interest to make men curious. The quizzes and tidbits about romance spurred the imagination. Today, you can find romantic activity ideas in most magazines and newspapers. You can find recipes for two or how to make the most of a romantic weekend.

Poetry

The Sonnets of William Shakespeare and poems by Elizabeth Barrett Browning are ones that most people remember. Other great authors such as Edgar Allan Poe wrote poems to their loved ones. Lines from poems written in a card or on a sheet of beautiful stationery and placed under the pillow of your loved one will bring a smile of pleasure and delight

Reading
Great pieces of fiction generally have at least one romantic involvement. The events of the story may deal with various aspects of life such as death, tragedy, war, and family over a number of years. But there is usually a couple, whether together or apart, stirs the romance in us all.

There are passages from classic love stories that you can read together as a couple. Find your favorite book. Turn off the television and sit quietly together. One can read while the other listens. Or both of you can read silently.

While romance novels are generally considered to be a woman's book, men can learn interesting things about what a woman desires or feels as passion.

Speech

Email has become the most used method of communication. Text messaging on mobile phones is the "in thing." What happened to old-fashioned talking? When we give up human contact, we lose a part of ourselves. One of the most important ways to keep romance alive and keep the fires of passion burning is to communicate verbally with your loved one. Spend some time away from the television in quiet conversation about your day, your dreams, your future, your kids - whatever is on your mind.

Close your conversation with words of love.

Words

No one gets tired of being told they are loved. In a relationship, it is sometimes the smallest action taken that makes the biggest impact. Remember when Mom taught us to say "thank you", "please", and "I'm sorry", and responses such as "you're welcome". These tiny words can make an impact in your daily life.

You can start rekindling the fires of passion using any one of these ideas. Combine several and you will be on fire.

Thursday 10 June 2010

The Sonnet Project........Final Part

The Sonnet Project...Part 3 PLEASE READ: The project: The project was very simply to see if I can get about 30+ YTbers to say 98 lines of poetry to piece them together to form 7 sonnets. You guys will be the judge if it worked or not but I am thankful to all of them for taking time from their busy lives to submit the lines. I was going to put an interpretive blurb here about each of the sonnets, but then figured each one should interpret these lines thru the lens of their own life's loves and circumstances. Edmund Spenser Sonnet #75 One day I wrote her name upon the strand, But came the waves and washed it away: Again I wrote it with a second hand, But came the tide, and made my pains his prey. Vain man, said she, that dost in vain assay A mortal thing so to immortalize! For I myself shall like to this decay, And eek my name be wiped out likewise. Not so (quoth I), let baser things devise To die in dust, but you shall live by fame: My verse your virtues rare shall eternize, And in the heavens write your glorious name; Where, whenas death shall all the world subdue, Our love shall live, and later life renew. Youtubers - in order of appearance www.youtube.com www.youtube.com www.youtube.com www.youtube.com www.youtube.com www.youtube.com www.youtube.com www.youtube.com www.youtube.com www.youtube.com www.youtube.com www.youtube.com www.youtube.com www.youtube.com Shakespeare's sonnet #29 When in disgrace with fortune and men's eyes, I all alone beweep my outcast state, And ...

Wednesday 9 June 2010

"Write a Modern Love Sonnet"

So... this was an exercise at Creative Writing Soc, that I finished the next day. The meter is off and there are a few issues with the rhyme scheme, but not too shabby (for a first sonnet.. cut me some slack!). Here's the complete poem: Write a modern love sonnet Not so much love as its ghost. Not so much lost as stuck In a mind endlessly playing host To agonising imaginings of one last look. Its the cliché of the late night tears; Curling up to defend against the endless lonely crush; Squeezing eyes tight shut to avoid the accumulating fears; Remembering your kiss in my hair as you whisper a comforting, shush. And lately, the tantalising moments when I wrongly Believe that I might just might be ready to leave All this behind; when I grasp so desperately, so strongly At the straws of attraction to a random Tom or Steve. In my head the conservation, long suspended, starts again and I realise now that itll never be ended.

Tuesday 8 June 2010

Another annoucement for Star Crossed

Last one..I swear ^^; and yes..I did write that sonnet... Also...THESE ARE THE CHARACTERS THAT ARE IN IT BECAUSE THEY ASKED!!! The others...they're already in it.. Kieran, Logan, Nick...are already in it..so..you guys have not been kicked out...if you guys have been kicked out...I will message you guys...

Monday 7 June 2010

Wedding Thank You Sayings - Where to Find When You're Lost For Words

It is true that not all of us are gifted with the art of prose when it comes to creating wedding thank you sayings. Some people are just born with the ability to write unique sayings, while others, even while their heart is filled with gratitude and appreciation, struggle on how to write and say the simplest of thank yous. With all the modern resources we have today like books, magazines, the internet, and more, this does not, in the slightest way, have to be a problem.

The first open and free source of good thank you sayings, is the internet. There are myriads of websites with hundreds and thousands of different sayings, verses, poems, odes, sonnets, that can be borrowed from, when needed. The choice is endless - you can take whatever you need, usually free for whatever purpose, including wedding thank you writings and sayings.

Other sources of wedding thank you sayings are wedding books, periodicals, and the many brochures that are given out by wedding planners as a bonus. As you prepare for your wedding, you'll more than likely come across materials from wedding planners that are meant to guide you to the wedding of your dream. Within these sources, the planners strive to include everything into a one-stop package that they hope will cater to your every need, and as a result, the material given out from a good wedding event planner, should include the wording that is used in wedding thank you cards and notes.

The best way to approach this task, is to draw from the different sources mentioned above, put them in a note pad or journal, and from that point, choose those sayings that fit your true sentiments and express your gratitude for the deeds and gifts that were given. As a result, your wedding thank you sayings will be very effective and have deep meaning. The selection of the sayings should be based on age, character, season, theme of the wedding, etc. to avoid overlooking worthwhile sentiments.

Wedding planners, with their event-planning expertise might, after all is said and done, be your most valuable source for acquiring heartfelt meaning that would go into gathering and composing your wedding thank you sayings. So keep that in mind, when and if you choose a wedding planner expert.

Saturday 5 June 2010

A Pale Comparison

This is the corrected version. i like writting poems for my wife. but at times i find myself befundled with all the joy and beauty that is her. whats funny is that i wrote this one fairly quickly in comparison to my first sonnet. took me about four or five hours with all revisions and everything. my first sonnet must have taken thirty revisions, like a day or two of work to write it and learn the code. not good, but not bad for my second sonnet? A Pale Comparison --- My words will swell upon the task to write you With ink of gold that strains to shine your beauty As I'm to tame a zoo of joy to come to A bliss evoking love that feeds my duty How must I write the art in all your glory The way your sunset curves elate my senses With skin to boast of silk and smooth in story To tell the awe of you as I'm defenseless You see your spell will tease and grant me splendor Your eyes amaze with brilliance that is healing Your soul will flow with love as I surrender My soul as you enrich and surge my feelings The awe of you is what I tried to capture Your beauty shines with power to enrapture

Friday 4 June 2010

How Do I Love Thee to the tune of Love Letters

An interesting combination of songs by Liberace, playing Love Letters (1945) while reciting How Do I Love Thee (1850) (posted by request) How Do I Love Thee? (Sonnet 43) by Elizabeth Barrett Browning How do I love thee? Let me count the ways. I love thee to the depth and breadth and height My soul can reach, when feeling out of sight For the ends of being and ideal grace. I love thee to the level of every day's Most quiet need, by sun and candle-light. I love thee freely, as men strive for right. I love thee purely, as they turn from praise. I love thee with the passion put to use In my old griefs, and with my childhood's faith. I love thee with a love I seemed to lose With my lost saints. I love thee with the breath, Smiles, tears, of all my life; and, if God choose, I shall but love thee better after death. LOVE LETTERS The sky may be starless, The night may be moonless, But deep in my heart there's a glow. For deep in my heart I know that you love me. You love me because you told me so. CHORUS: Love letters straight from your heart Keep us so near while apart. I'm not alone in the night When I can have all the love you write. *I memorize ev'ry line, I kiss the name that you sign. And, darling, then I read again right from the start Love letters straight from your heart. I memorize ev'ry line, I kiss the name that you sign. And, darling, then I read again right from the start Love letters straight from your heart.

Thursday 3 June 2010

Nature, God, Afterlife, and Death in Emily Dickinson's Poems

"It's all I have to bring to-day, this and my heart beside, this and my heart and all the fields, and all the meadows wide" (33). These are the words of Emily Dickinson, a woman who is revered as one of America's greatest poets. During her lifetime, she lived a life of seclusion, but in this seclusion she composed over seventeen hundred poems whose excellence very few qcan match. Within her poems, Dickinson crafted a unique style of writing, in which she called upon the use of simplistic language and child-like innocence to covey complex ideas. Such complex ideas were expressed through the use of nature, God, eternity, and death. Throughout her poems, Emily Dickinson uses nature, God, the afterlife and death to convey complex messages or ideas while expressing her thoughts in simple language.

Nature is one element that frequents Dickinson's poems as a means of conveying messages of life. Through the inclusion of familiar aspects of wildlife, such as bumble bees and flowers, she is able to paint a picture that portrays the hopes and anxieties found throughout everyday life. One such poem begins, "A wounded deer leaps highest, I've heard the hunter tell; tis' but the ecstasy of death, and then the brake is still" (62). In this stanza, Dickinson is comparing the wounded deer to a human being who has been hurt, either emotionally or physically in his or her past. The wounded deer, which has been shot or injured on a prior occasion, jumps higher as a means to ensure that it will not be injured a second time. Like the deer, an emotionally or physically wounded human beings will also subconsciously go out of the way to avoid being hurt again.

This fear instilled into marred humans can play on several levels, from something as simple and corporal as a broken limb, to something as emotional or spiritual as a broken heart. Dickinson, in the simplest of words and through the eyes of nature, is clearly able pass on the concept of a deep emotional sore. A second poem reads, "God made a little gentian; it tried to be a rose and failed, and all the summer laughed" (127). This poem, composed in elementary terms, stresses the idea of individuality to the reader. It warns not to be like the little blue flower, who attempts to become something it is not and is mocked by the season around it. Dickinson's message is clear: People need to be comfortable with who and what they are, and need not desire to be something completely foreign to them. Just as the gentian can only be the gentian, so to can a person only be what and who they are, and there is nothing wrong with being one's self. In a third poem, Dickinson uses nature to portray life and death. She commences with, "I'll tell you how the sun rose, - a ribbon at a time. The steeples swam in amethyst, the news like squirrels ran" (104). This first stanza is mean to symbolize birth and the beginning of life. The rising sun is often a common symbol for new life, and Dickinson employs it here along with the gentle innocence that "a ribbon at a time" conveys. To contrast this stanza, Dickinson writes in a later stanza:

"But how the sun set, I know not.
There seemed a purple stile
Which little yellow boys and girls
Were climbing all the while

Till when they reached the other side
A dominie in gray
Put gently up the evening bars,
And led the flock away." (105)

The setting sun is used in this situation to symbolize death, the end of life here on this earth. This death is further reinforced in the next stanza when the dominie, or clergyman, "put gently up the evening bars, and led the flock away" (105). The dominie is a direct parallel to God, leading the new recipients of eternal salvation away from earth and into Heaven.

Another element that can be identified throughout Emily Dickinson's poems is her blend of traditional and unique views on God and eternity. A prime example of Dickinson's individuality and creativity in the field of religion is her poem "Some keep the Sabbath going to church". This delightful work explains how instead of attending a Sunday service, Dickinson keeps holy the Sabbath by remaining at home. In one stanza, she explains her Sunday by saying, "God preaches, - a noted clergyman, - and the sermon is never long; so instead of getting to heaven at last, I'm going all along!" (110). With simple language and sophisticated humor, Dickinson explains that the word of God does not have to be preached in a chapel, but can be found at any walk of life. God is portrayed as a personal and loving being, contradictory to the God of fire and brimstone that was often preached during the nineteenth century. She also reveals an inner belief of hers that, contrary to what was believed in her day, going to Heaven is not an arduous task of trying not to sin or being a good person, but a journey. "I'm going all along!" she proclaims with confidence and elation, as if she has been told by God that there is a place for her in His kingdom. This idea of eternity is a common recurrence in many of Dickinson's poems. Another piece which illustrates Dickinson's belief in the afterlife reads, "This world is not a conclusion; a sequel stands beyond, invisible, as music, but positive, as sound" (135). There is not the slightest sense of uncertainty found anywhere within these lines. "This world is not a conclusion" Dickinson instills. There is a life after this world, and though it may be invisible, like music to the eyes, it is a definite and positive reality, like sound to the ears.

As in previous poems where Emily Dickinson asserted her belief that there was indeed an afterlife, another style found throughout her poems is that questioning of the unknown that comes with the afterlife. She displays a child-like curiosity to what the afterlife will hold and how it will compare to the dirt and soil on which she has spent her life. This curiosity is made most evident in her poem "What is - 'Paradise'- ", which reads:

"What is - 'Paradise' -
Who live there -
Are they 'Farmers' -
Do they 'hoe' -
Do they know that this is 'Amherst' -
And that I - am coming - too -

Do they wear 'new shoes' - in 'Eden' -
Is it always pleasant - there -
Won't they scold is - when we're homesick -
Or tell God - how cross we are - " (99)

The first stanza begins by a general question of what is eternity, which she immediately follows with "Who live there?" This question triggers a series of other answerless questions, concerning whether there is labor in Heaven. The next question asked, which reads, "Do they know that this is 'Amherst - and that I - am coming - too - " refers to the consciousness of the souls in heaven. When Heaven is reached, do people realize that they are a part of eternal salvation? Are they aware of the world that they left behind, and if so, do they know which souls will join them in salvation? With these simple words, most of which are two syllables or less, Dickinson is able to pose intricate questions whose answers cannot be fathomed by the human mind. In the second stanza, Dickinson introduces the reader to her child-like curiosity, which in this case is mixed together with her unmistakable humor. She questions whether Heaven will be pleasant, which is charming because with the idea of Heaven comes a vision of eternal happiness; to pose such a question about the pleasantness of eternal salvation seems all most ludicrous. Dickinson then follows up this query with wondering if a Heavenly body becomes homesick for it's life back on Earth. This idea, overflowing with childish innocence, adds a whole other dimension to the poem. Once in Heaven, is it possible for a being to want to go back to earth? Do the members of the Heavenly community yearn for the people, places, and things found throughout their previous life? These questions, which seemingly have no answers, are the essence of Dickinson's desire to understand the unknown of the afterlife.

Lastly, death is a component of copious poems by Dickinson, personified in an ambivalent manner. For example, one of her poems begins:

"Because I could not stoop for Death
He kindly stopped for me;
The carriage held but just ourselves
And Immortality.

We slowly drove, he knew no haste,
And I had put away
My labor, and my leisure too,
For his civility" (151).

In this simple, yet vivid portrait Dickinson paints, Death is not portrayed as something gruesome and terrible, but instead personified on a gentleman suitor who has just arrived to take her on a date. Staying with the traditions of this time, the date is chaperoned by the personification of Immortality. In the following stanza, the carriage is described as driving slow and showing no haste. This corresponds with the timeless state of being that accompanies death; the time that was once so precious on Earth loses it's meaning upon entering the afterlife. Along with time's lack of importance, Dickinson stresses how there is no labor, and therefore no leisure after life by stating, "And I put away my labor, and my leisure too, for his civility" (151). So out of respect for Death, she removes herself from her labor and leisure and just enjoys the ride with Death for Immortality. However, the courteous Death of the last poem is completely foreign to "I heard a fly buzz when I died", which in one such stanza reads, "With blue, uncertain, stumbling buzz, between the light and me; and then the windows failed, and then I could not see" (132). Death in this scenario, though at first glance may seem peaceful, in reality is actually rather terrifying. Dickinson masterfully employs the fly as a symbol of the gruesome side of death, being as flies are frequently depicted as creatures that feed upon decomposing flesh. As if instinctively drawn to the narrator's death, the thought of the fly destroying her flesh is the only thing that stands between the end of her life on Earth and the salvation of the light.

The poems of Emily Dickinson employ simplistic language to express complex ideas through nature, God, the afterlife and death. This unique style which she herself created has become synonymous with her name along with her poems. Although very few were shared during her lifetime, today Dickinson's poems represent a woman who fused together her talent and passion for poetry to create some of the greatest works America has ever seen. No person can describe Dickinson's poetry better than herself, so in conclusion:

"This is my letter to the world,
That never wrote to me, -
The simple news that Nature told,
With tender majesty.

Her message is committed
To hands I cannot see;
For love of her sweet countrymen,
Judge tenderly of me!" (102).

Wednesday 2 June 2010

Carter: Scrivo in Vento for solo flute (1991)

Elliott Carter's contribution to the 20th century solo flute repertoire, Scrivo in Vento ("I write in the wind"), based on a phrase from a Petrarch sonnet. Played here by Harvey Sollberger.